Absolute Blank Archive

As Absolute Blank moves to hiatus status, here’s a list of all of our articles, up to June 2016, organized by category. If you have suggestions for corrections to this list, please comment.

Basics: Mechanics and Practical Advice

Character creation

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Editing

Grammar, syntax, dialogue

Story elements

Techniques

Tools

Voice

Business

Circumstances

Emerging Writers

Genre writing

Academia and journalism

Long-form writing

Nonfiction writing

Other genres

Personal writing

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Motivation

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Writer’s Glossary

 

9 Years, 9 Percent: A Look at Toasted Cheese’s Submission, Rejection & Acceptance Rates

Absolute BlankBy Stephanie Lenz (Baker)

Inspired by other journals that do monthly, quarterly, or yearly public posts about their submissions, I did some very rough and dirty math about Toasted Cheese submissions over the last 9 years of our 15-year existence. This includes the last three quarters from 2007 and the first quarter of 2016.

Where did you get this information?

In 2007, I began to use Gmail to help me sort and label my TC email. Anything that comes through with “submission” in the subject line is automatically labeled as a TC submission. That’s one of the reasons we ask that you title your submissions that way.

I also use labels to mark a first-read piece to be rejected or considered for second read. After that, I use another set of labels for a final rejection or acceptance.

For my archive, I have labels for the year a submission was sent and a label for the issue for which the piece was submitted. After that issue is published, the submission is re-labeled for the year in which it was intended to be published. For example, a submission received on November 1, 2015 would be for the March 2016 issue and is filed under “All Subs/2015” and “TC Subs/2016.”

How accurate is this?

It’s not scientific by any means. First of all, these are only my picks, not the picks of TC’s editorial collective. Because these are only my picks, they aren’t TC’s official acceptance and rejection rates. I’m one of the more generous editors. I have more “yes” pieces in my final stack than other editors. Therefore, these numbers probably reflect a higher acceptance rate than TC actually has.

Not everything I choose as a “yes” or a “no” is published or rejected. The information I can access reflects only my personal choices. There are times when a first-read “no” for me is eventually published.

Some writers send their submission to the wrong place. Sometimes they send only to me. Sometimes they send a new submission as a reply to a rejection (those are sent by Beaver). When we manage to catch those, we forward them to the editorial collective even though they’re disqualified. So the overall submission rate may be higher simply because we don’t actually get some intended submissions.

Due to the volume of data I worked with, I’d guess these discrepancies might only reflect a percentage point or two of difference. I feel confident in saying that my personal choices are a fairly accurate reflection of TC’s overall rates of acceptance. When I’ve investigated a month’s or a quarter’s acceptance rate over the years, these numbers fall in line with what I found.

ab_16-05_9-years-9-percent

Background Image: Jose Picardo/Flickr (CC-by-nc-sa)

Okay, let’s hear it.

We had approximately 4600 regular submissions (not contest entries) in the last nine years. Of all regular Toasted Cheese submissions, 60% are rejected on first read, 13% are disqualified, and 2% are withdrawn before first read. This means 75% of submissions don’t make first cut.

Our shortlist is therefore made of 25% of total submissions. Of those, two-thirds (16% of total submissions) are rejected on second read and one-third (9% of total submissions) are accepted for publication. Of that 9%, some are withdrawn (for example, the piece was simultaneously submitted and accepted elsewhere) while some of the rejected pieces are salvaged by an editor (as an “Editor’s Pick”).

Note: writers can submit up to five poems in a single submission; often we accept only one or two of these. The data here considers any number of poems accepted as an acceptance (e.g. 5/5 poems submitted is an an acceptance, but so is 1/5 poems).

These number run pretty parallel to rates we see month-by-month, quarter-by-quarter, and year-by-year.

Our submission rates have been quite steady: an average of 510 submissions per year (over 40 submissions per month, 10 of which pass through to second read); between 500-620 per year during and before 2011; and 410-496 during and since 2012. We have light months and heavy months. January is traditionally the month we see the most submissions, likely due to New Year’s resolutions. All other months are pretty equal.

As I write this, we have had 174 submissions in 2016. At that rate, Toasted Cheese will receive 525 regular submissions.

So when you hit “send,” you have a 1 in 4 chance of being shortlisted and a 1 in 10 chance of being published in TC. And you’re 100% ahead of all the writers who never click that send button.

If you’d like to see us share more in future about our submission, rejection, and acceptance rates, let us know in the comments.

Fictional Fête: 15 Fantasy Guests

Absolute BlankBy Shelley Carpenter (Harpspeed)

Dear Fiction Readers and Writers,

Do you remember that cool TV show from the 1970s—Fantasy Island? For some of you this may be a way-before-your-time era, but for the rest of you, you might recall a Mr. Roarke and his cute little friend, Tattoo, who entertained guests in their fantasy pursuits. They would wait at the Fantasy Island dock in their matching white tuxedos at the start of every episode. “The Plane! The Plane!” I imagined in my own kid-way what my fantasy would be should I pay the million-dollar guest ticket price for my fantasy to become real. I had many fantasies (which I won’t share!), but sadly I never could afford the million-dollar fee.

I’ve grown up since then and have discovered that there are other ways to a good fantasy that are “off-island.” Here’s one of mine: I’m having a small fête this month. I’ve decided to invite only the people I like: good and bad, famous and infamous alike. The thing is that the guests are fictitious characters from a few of my favorite novels. (I have many favorites!) The venue is my imagination.

Bon Appetite!
Harpspeed

P.S. In case you are curious, my character guest list follows:

Background Image: Jesper Larsen-Ledet/Flickr (CC-by-nc-sa)

Background Image: Jesper Larsen-Ledet/Flickr (CC-by-nc-sa)

  1. Icy Sparks (from Icy Sparks by Gwyn Hyman Rubio)

Ten-year-old orphan Icy Sparks is from 1950s Kentucky who has an interesting trait: uncontrollable tics and some of the most outrageous cursing I have ever heard. She is someone who really says what she thinks. Icy doesn’t know it but she has Tourette Syndrome. I like her very much because she is a precocious, quirky character who changes the other characters in her story. I would vote for her if she ran for president.

  1. Mina Murray (from Dracula by Bram Stoker)

Wilhelmina ”Mina” Murray is a remarkable character and a marvel, she (I can’t recall if I’m remembering Winona Ryder from the 1990s film version) and that modern fancy-dancy typewriter that she uses to type personal letters to her fiancée, Jonathan, who’s under the impression that he’s the hero in Stoker’s horror story—when in fact it is Mina who is the real star. If you don’t believe me—ask Dracula. Mina’s character marks the rise of the modern female detective. If I go missing, please call Mina. Posthaste!

  1. Dustfinger (from Inkheart by Cornelia Funke)

Dustfinger is a supporting character that I followed in Funke’s three-volume story, Inkheart. He is a tragic and talented character who can breathe fire and curiously is also a reluctant hero. He has his own agenda but puts it aside to help the other protagonists. Still, Dustfinger can be unreliable and is sometimes a curmudgeon. Aren’t we all at some time? I enjoyed his dry wit and actor Paul Bettany’s very human portrayal of this complicated character in the film version, too. I think Dustfinger would amaze my guests with his special skills, but I won’t pay him until the show is over!

  1. Hig
  2. Bangley
  3. Jasper (from The Dog Stars by Peter Heller)

Hig is the main character in Peter Heller’s post-apocalyptic story, The Dog Stars. Hig is optimistic, philosophical, and loves nature. He flies around in a small Cessna plane with his faithful dog, Jasper, looking for signs of life and renewal all the while quoting Whitman and Johnny Cash. I think I met my literary soulmate in Heller’s story, if that is possible. If I invite him to my dinner party he will probably bring Jasper and his cranky friend, Bangley, who balances Hig’s optimism with his self-righteous mistrust of everyone and everything and whom I also like very much. You can’t invite one without inviting the other. It wouldn’t be very kind with the lack of people in their lonely world and limited opportunity for socializing. There is plenty of room at my table, and besides, who doesn’t love a good argument with their dinner? Please pass the **** salt!

  1. Mary Beth Mayfair (from The Witching Hour by Ann Rice)

Remind me to warn my guests that Mary Beth is a witch. (Some people are squeamish about that kind of thing.) Not the pointed black hat kind but rather the modern-world kind of witch. She comes from a long line of witches. You could say that it is the family business. I don’t like everyone in her family, but I do like her. She is very kind to strangers and children and exceptionally talented in bilocation and managing money. (Did I mention that her family are millionaires?) In fact, if she ever gives you money, she’ll tell you to spend it quick because somehow coin or cash always return to their place of origin be it Mary Beth’s coat pocket or beaded purse. She’s the bee’s knees for sure! Wouldn’t she be fun to go shopping with?

  1. Laura Ingalls Wilder (from The Little House Books by Laura Ingalls Wilder)

I know what you are thinking—but how can I not invite Laura? She is one of my oldest character-friends. Laura is a protagonist in her own life story that is truly memoir. Heck, they even made a TV series about her life. There’s that, and the fact that she was a big influence on me both personally and professionally. I quite figuratively and literally grew up with her. Her stories kept me company and occupied me on many a rainy day, during the long, boring, sometimes tumultuous middle years up through my teens and beyond. I caught up with her again in my twenties and later again in the classroom. Laura was one of my icons in children’s literature and has earned her velvet chair at my table. Subject closed. Icy will be her dinner partner. Maybe I’ll seat Jasper between them just for fun. Dogs are people, too, you know.

  1. Kirby Mazrachi (from The Shining Girls by Lauren Beukes)

When I think of this character, the word tenacious pops up into my head. It’s a perfect adjective for her and if you’ve met her already you will understand and perhaps agree. You see, Kirby, single-handedly went after a time-traveling serial killer who targeted his victims when they were children. It gives me chills just thinking about her adversary, a serial killer—very creepy bedtime reading—and his modus operandi of stalking little girls and then returning for them when they were older. Kirby was one of his victims, but she survived him and decided to end this creep’s career. It wasn’t easy because she had to navigate in a crime story that was also science fiction. How do you track someone through time? Kirby found a way. I’ll seat her next to Mina. They have much in common. Don’t you agree?

  1. Mr. Rochester (from Jane Eyre by Emily Bronte)

Oh my stars! Edmund Charles Fairfax Rochester is wonderful! Maybe you have met him already if you have read Jane Eyre? He is an amazing character. He is probably the best friend anyone could ever have next to Jasper, of course. He is so charming and witty and interesting and mysterious in a beguiling, romantic way, of course. He’s the quintessential Romantic Era hero. He always says what he means and even though he can be aloof and secretive, he never lies… well, except maybe once to Jane, but really who could blame him? I will have to warn my guests not to get too attached to him. He’s already taken.

  1. Scarlett O’Hara (from Gone with the Wind by Margaret Mitchell)

Katy Scarlett O’Hara seems to have a dark cloud hanging over her all the time. But the thing about Scarlett is that no matter how bad things get—and they do get pretty bad by modern standards—she loses her baby, her husband, her friends, and her home to the Yankees. Yet despite it all, Scarlett is always so very optimistic. After all, “Tomorrow is another day.” She doesn’t stay down long. She is an also an opportunist. What I call an optimistic-opportunist because she always finds a way to get what she wants or what she needs, by default—if you can call Rhett Butler a default. I wouldn’t. Anyway, she’s coming and hopefully not dressed in the living room drapes and she will be sitting between Bangley and Dustfinger. Oh what fun!

  1. Ralph Truit (from A Reliable Wife by Robert Goolrick)

As you might have guessed, I’m a sucker for romance and the American West. Ralph is, too, even though he says he isn’t. He’s the worst kind of romantic—hopeless! Anyway, he placed an advertisement in a Chicago newspaper in 1907 for an “honest and reliable wife” and got more than he bargained for when a woman named Catherine Land answered his advertisement and, let’s say, stole his heart among other things. But don’t feel too badly for Ralph. He had a plan of his own and Catherine was quite surprised, as was I. Ralph will be sitting next to Hig; they are both pretty even-tempered individuals and I think would get on well.

  1. Jim Quick (from Darling Jim by Christian Moerk Holt)

Jim is a storyteller who travels around Ireland, going from pub to pub on his Harley like a bad-boy from the bygone beat generation, seducing young women, stealing from them, and maybe killing them, too. Nobody is perfect! Not even Jim. However, Jim is a wonderful antagonist who picked the wrong women to prey on: three feisty Irish sisters who I think got the better of him—or was it the other way around? I’m hoping Jim will have some stories to share. Don’t worry! I will turn out his pockets when he arrives and hide the butter and steak knives before and after dinner. He’ll be sitting with Mina and Kirby. Those two will keep him out of trouble, no doubt.

  1. Harpspeed

As for me, my story is still being written.

  1. Reader

I left an empty seat for you, dearest Toasted Cheese reader and writer. Come fraternize.

Fifteen Ways to Get Your Submission Into My “No” Folder

Absolute BlankBy Stephanie Lenz (Baker)

  1. Simultaneously submit. Even once.
  2. Assume that your lack of publication credits will mean automatic rejection.
  3. Assume that your age has any bearing on whether your story is accepted.
  4. Use your cover letter to talk about how little faith you have in your skill/talent.
  5. Mention that you have to submit somewhere because of an assignment and you chose Toasted Cheese just because you liked the name.
  6. Don’t give your story a title.
  7. Describe your character within the first paragraph by using his full name, height in feet and inches, his weight in pounds, his hair color, and his eye color.

Background Image: Brian Wilkins/Flicker (CC-by-nc)

Background Image: Brian Wilkins/Flicker (CC-by-nc)

  1. If it’s a contest entry, don’t use the genre required.
  2. Don’t proofread.
  3. Write inauthentically about a setting I know.
  4. Use double punctuation on your sentence, like a question mark paired with an exclamation point. One exclamation point pushes it enough.
  5. Have female characters who serve no purpose other than set dressing, being a trophy for the male main character, or to have conversations about the male main characters.
  6. Kiss the word count. Then when you get near the end, chop it off and call it finished instead of rewriting.
  7. Throw in a Shyamalan twist ending.
  8. Respond to a rejection by saying that TC sucks anyway, submit again.

What We Were Reading in 2015: Recommended by the Editors

Absolute BlankBy Stephanie Lenz (Baker)

Last November we shared some of our favorite reads from the year. We decided to do it again for 2015 and as our list came together, we discovered that our suggestions range from audio books to blogs to novels. These were all things we read in 2015, regardless of when they were published. The list includes at least one ARC for a work to be published in 2016.

Background Image: Fatima M/Flickr (CC-by-nc-sa)

Background Image: Fatima M/Flickr (CC-by-nc-sa)

Baker’s recommendations:

I read practically all day long, mostly non-fiction and news. I’ve always been a slow reader. More accurately, I’m a reader who likes to savor the read. When I get close to the end of something I’m loving, I read more slowly and in shorter bursts so that it lasts. My recommended reads from 2015 made it impossible for me to throw that brake.

Essays by Charles Pierce

Charlie is my political reading recommendation for 2015. He writes for Esquire, usually from a progressive viewpoint but those on the left aren’t any safer from his laser focus than those on the right. His humor is impossible to hide but when the subject is serious, his wit becomes razor-sharp critique. My feeling about his writing, particularly his voice, makes me think of a line Clark Gable delivers as Rhett Butler in Gone With the Wind: “We’re alike. Bad lots, both of us. Selfish and shrewd but able to look things in the eyes and call them by their right names.” Nearly every day, Charlie’s essay (or essays; he’s prolific) gives voice to what’s on my mind.

The Last Days of Graceland” by Elise Jordan

I read this article on a somewhat stressful day, when I needed a portable distraction. With free wifi and lots of downtime, I thought Buzzfeed would fit the bill so I headed to the site. Instead of another silly list or meme, I found this fascinating, inspiring account of Paul MacLeod’s life, death, and passion: Graceland Too, a “museum” that was little more than a display of a zealous fan’s collection of memorabilia. The key to this essay is Jordan’s connection to its subject; Graceland Too was the stop-and-point house in her hometown of Holly Springs, Mississippi. By adding her personal experience, she creates the frame of community within which she sketches out a near-Shakespearean tragedy of family, obsession, and murder.

Between The World and Me by Ta-Nehisi Coates

My favorite read of 2015, this is more than a memoir. Coates structures the book as a letter to his son, which makes this reflection on blackness in America an intimate conversation as well as an impetus to a long overdue examination of race in our national history, in our culture, and in our future as well as in our own hearts and minds.

Not My Father’s Son: A Memoir by Alan Cumming

Another memoir, this time by actor Alan Cumming. I liked the “then/now” structure, the suspense and mystery carried throughout, and the theme of fathers, sons, and what we withhold versus what we give and how.

Being A Girl: A Brief Personal History of Violence” by Anne Thériault

Women share universal experiences relevant to their sex. Thériault chronicles a handful of instances of abuse, sexism, assault and more against the backdrop of male aggression that’s accepted in our culture. In the final section, she states that she tries not to be afraid yet admits that she is (a piece of bravery in its own right). In an online world where outspoken women receive death threats and rape threats for the simple act of speaking their truth, voices like Thériault’s are rare and deserve to be amplified, not silenced.

Mystery Science Storybook: Bedtime Tales Based on the Worst Movies Ever by Sugar Ray Dodge

On a light note, I loved this comic by Sugar Ray Dodge. Dodge maintains the RiffTrax wiki and is also a talented artist. His unique drawing style fits perfectly with the RiffTrax aesthetic and his story work hits the sweet spot between homage and satire (like its source material). Drawing on the original works that the RiffTrax and Mystery Science Theater 3000 crews riff(ed), Dodge follows in the traditional by skewering all sides. No one is safe and your sides will pay the price.

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Broker’s recommendations:

Snapshots From Space by Emily Lakdawalla

Lakdawalla blogs at the Planetary Society website about planetary science, and did a lot to piece together the pictures from the Pluto flyby of the New Horizons spacecraft (the data are still coming in!), in addition to other space probes out there exploring our solar system.

Bad Astronomy by Phil Plait

Plait is also in the business of making astronomy accessible. Phil’s interests are more wide ranging, including some non-astronomical topics, and he’s great at explaining things in the news.

Widower’s Grief by Mark Liebenow

And to shift gears completely, check out Liebenow’s blog. Mark lost his wife suddenly a few years ago, and he writes honestly (and well!) about the process of coping with grief.

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Harpspeed’s recommendations:

Finding time to read this year has been a challenge. Yet the idea of not reading is so unfathomable.  I met that challenge with a little ingenuity and some stolen time—I’m learning to multitask. My personal reading selections this past year have been exclusively audio books. I generally read about 30 minutes most mornings while running or walking really-really fast. The 30 minutes explains the shortness of my list. It takes several hours to finish a story. And I never do the math when I am contemplating purchasing a story; I never ever calculate in advance how many hours it will take me to finish a particular book. That would be depressing with so many books on my list.

Winter People by Jennifer McMahon

Winter People has elements of mystery and historical fiction. It is the story of two women separated by time whose fates cross in a thrilling realization: The dead can come back. Think Laura Ingalls meets Sleepy Hollow. This story is also about the family ties; mothers and daughters are prominent. This is my current listen and McMahon’s story has hooked me with her rural characters and eerie setting. The landscape in this story holds many secrets revealed bit by bit in its folklore. I’ve met some of the historical characters and anticipate meeting their modern counterparts soon.

Bird Box by Josh Malerman

This story was recommended by my friend, Lisa, who loves horror and psychological thrillers. She is my go-to-girl for a good thrilling read. Malerman’s story has has elements of both. A realistic fiction story set in an alternate, post-apocalyptic world. This story is terrifying because in order to survive, the characters must keep their eyes closed when they venture outside—outside to where curious and dangerous creatures roam. Much of the story is told in flashback by the main character—a young mother of two in a desperate flight to find a mysterious sanctuary from the creatures and from a hopeless existence. The pacing is excellent. Malerman dials up the terror, chapter by chapter, leading the reader up a very steep climax and over the edge to the very last page.

At the Water’s Edge by Sara Gruen

Gruen’s story, set in Scotland during World War II is a cozy, entertaining read. Three wealthy American socialites cross the Atlantic to hunt the Loch Ness Monster. The characters reminded me of classic old movie characters with their speech, mannerisms and triangle—say Cary Grant, Clark Gable, and Loretta Young. Gruen writes great characters and I enjoyed all the discourse and conversations that strayed from what I thought was the main plot. Or was it?  This story is more about the journey than the destination and much is revealed in small moments in the small Scottish village where Maddie and her two handsome friends wait out the war hunting for Nessie.

All the Light We Cannot See by Anthony Doerr

I love reading stories set during World War 2. This Pulitzer Prize winning story was exceptional. Two star crossed characters—one a brilliant young orphan boy who is commandeered by the German army to fix radios and the other character, a young blind French girl who spends her days in a Paris museum where her father works as chief locksmith. The two characters are drawn to each other unknowingly at first by a legend of an exquisite diamond that the blind girl’s father smuggles out of the museum before Paris falls. The Germans know of its existence and of the legend it promises to its owner. Meanwhile, the French resistance is infiltrating German intelligence and the brilliant German orphan boy finds himself in Paris working for the wrong side when he becomes aware of the lovely, blind French girl with a dangerous secret whom his commanding officer will kill for.

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Billiard’s recommendations:

Lumberjanes by Noelle Stevenson

As I wrote on Goodreads, I really, really loved this. I saw that another reviewer described it as “If there were a Girl Scout camp in Gravity Falls,” and I was like, “Yeah, that’s about right.” If paranormal weirdness isn’t your thing, you might want to skip this one. Some people seem to be put off by the art style, but I thought it was cute and suited the story quite well.

As You Wish by Cary Elwes

Published in 2014, but I read it in 2015. Delightful.

Yes Please by Amy Poehler

Amy Poehler: SNL alum, Tina Fey bestie, Leslie Freakin’ Knope. Amy Poehler is an awesome lady who does awesome things, of which this book is just one of many, many examples.

Reflections (Indexing #2) by Seanan McGuire

Indexing is a Kindle serial. It combines a procedural with fairy tales and I often wonder how no one has optioned it for a TV series yet.

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Bellman’s recommendations:

Gentleman Jole and the Red Queen by Lois McMaster Bujold

This latest installment in Bujold‘s Vorkosigan series is a change of pace from the usual, so it may not appeal to someone expecting her usual fast-pasted adventures. Described as “a book for grownups”, I’d classify it as a pastoral story, and I found it a delightful change of pace. One of the reasons I return to Bujold over and and over is for her persistent message of how it’s never too late. It’s never too late to turn your life around, or to find your life anew, or to change. That’s a message I never tire of, and Gentleman Jole and the Red Queen is a trumpet of defiance in the face of the constant “You’re too old…” messages society bombards us with.

The Glass Sentence by S. E. Grove

The world-building premise of The Glass Sentence is that time and space have fractured and resettled in unconnected pieces. So 1890s Boston and the prehistoric ice ages coexist side by side. In addition, the “Great Disruption” that shattered the world caused many of these eras to develop alternate histories to the ones people were familiar with. Map-making is half science, half magic, and the various maps include maps to people’s memories. It’s a fascinating world, and the adventures of Sophia Tims, the thirteen-year-old heroine of the book, create a solid story within it.

The Riverman by Aaron Starmer

This is a dark book for middle grade readers. It looks at friendship and trust through a very twisted lens. Alistair is approached by his grade-school friend Fiona, who tells him about a world where kids’ daydreams are made real, but that the kids there end up disappearing from the real world when they are taken by The Riverman in the other world. Starmer does a really good job of creating a truly creepy and disturbing atmosphere where it is hard to tell what’s real, what’s imagined, and what’s good or bad.

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Beaver’s recommendations:

The way we tell stories is evolving along with our smartphones” by Kate Pullinger

Pullinger is both a traditional novelist and author of digital fiction. She co-created the ongoing digital novel Inanimate Alice.

As well as using our phones more, we are also accessing multiple forms of content on these devices. We make and watch videos, we take and share photos. We chatter. We play games. We watch movies and TV. We listen. And we read. We read texts and messages, we read social media feeds, we read journalism, we read gossip, we read commentary. A lot of the time we spend staring at our phones we are reading.
And yet most of us don’t consider our phones to be our primary reading device, despite evidence to the contrary; when asked “what are you reading?” (does anyone ask this question anymore?) we might look a bit guilty, as the title of the last book we finished escapes us.

Humans of New York. “HONY provides a worldwide audience with daily glimpses into the lives of strangers in New York City.” Yes, there’s a book, but the best way to read/view these snapshot stories is in their original form on social media. The typical story is a one-shot, but others are serialized over multiple posts. Tumblr | Instagram | Twitter | Facebook

Where Love is Illegal. “Documenting and sharing LGBTI stories of discrimination and survival from around the world.” Similar in format to HONY—glimpses into the lives of people around the world through a single photograph and brief story. Tumblr | Instagram | Twitter | Facebook

What Would You Grab in a Fire?” by Megan Stielstra

There’s a Tumblr I’ve followed for years called The Burning House. It’s a hypothetical exercise in what you’d grab if your house was on fire. Stielstra’s piece is The Burning House come to life—the decision-making moments after she finds out her home is on fire. I read it in January, but the piece took on added weight a few months later when I woke in the middle of the night to shouts of “fire!” It turned out it was the building next door, but it was a close enough call that I did learn for myself what I’d really grab in a fire.

Farewell to America” by Gary Younge

Of the many things I read this year on the current state of affairs in the US, this piece lingered with me, perhaps because of Younge’s outsider/insider perspective.

This is the summer I will leave America, after 12 years as a foreign correspondent, and return to London. … [W]hile the events of the last few years did not prompt the decision to come back, they do make me relieved that the decision had already been made. It is why I have not once had second thoughts. If I had to pick a summer to leave, this would be the one. Another season of black parents grieving, police chiefs explaining and clueless anchors opining. Another season when America has to be reminded that black lives matter because black deaths at the hands of the state have been accepted as routine for so long. A summer ripe for rage.

The Chef Who Saved My Life” by Brett Martin

A story about life and food and writing…

Meanwhile, through the years, I told the story of my own meal with Jacques. Often. It’s a good story—heavy but not too heavy, semi-confessional, a dash of celebrity, a happy ending. One evening, occasioned by a shared plate of prosciutto at The Tasting Kitchen, a restaurant in Venice Beach, I told it to an especially sharp friend. When I was done, he looked at me for a long time. You should write about that, he told me. Sure, I plan to, I said.

Then he said, ”Don’t make it an obituary.”

20 Questions: An Interview with Margarita Engle

Absolute BlankBy Shelley Carpenter (Harpspeed)

Margarita Engle is a Cuban-American poet, award-winning novelist and journalist whose work has been published in many countries. As a reader and a writer I am doubly excited to have had such a wonderful conversation with Margarita who writes children’s stories and young adult novels, many of which echo her own family history and love of nature.

20 Questions: An Interview with Margarita Engle

Background Image: margaritaengle.com

Toasted Cheese: Margarita, what were you like as a kid?

Margarita Engle: I was a shy bookworm with glasses, a long braid, a broken tooth, and homemade mother-daughter clothes. I loved plants and animals, especially horses. I wrote poetry.

TC: From your self-description, you could be a young character in a book, yourself. Tell us what inspired you to write your first book?

ME: After a long separation from Cuba, I finally obtained permission to go back in 1991. My grown-up prose novels were inspired by family history, but after the turn of this new century, I switched to children’s and young adult verse novels. The Poet Slave of Cuba was my first verse novel, and it changed my life forever.

TC: Many of your stories such as The Surrender Tree, The Poet Slave of Cuba, The Drum Dream Girl are historically set in Cuba and have characters that struggle for their freedom and independence. Are any of the characters’ experiences based on someone you know, or events in your own life?

ME: The Wild Book is based on stories my grandmother told me about her childhood. Mountain Dog is inspired by real people and real wilderness search and rescue dogs. Enchanted Air is a memoir.

TC: Skywriting has a young character that escaped from Cuba on a raft made from inner tubes that parallels the modern world. In the last 50 years, hundreds of refugees made similar epic and perilous journeys across the dangerous 90 miles of ocean to the Florida coast. With US economic sanctions lifting, how will this new political atmosphere affect your writing?

ME: I just returned to Cuba a couple of weeks ago, and not much has changed yet, but there is hope, and that is huge. I always write about hope, but now I’ll do it with the extra excitement of knowing that more than a half of a century of mutual hostilities between my two beloved countries will finally begin to fade.

TC: Another aspect of your stories relates to gender equality. Your female characters are often main characters and are wonderfully fierce and determined to stay true to their beliefs and purpose. They have a strong sense of themselves, of who they are. They persevere and affect positive and political change for themselves and others. Is there a message for girls today in your stories?

ME: Perseverance and a belief in equality certainly are recurring themes, but I don’t invent that aspect. It already exists in the lives of real people I admire, such as Rosa la Bayamesa in The Surrender Tree, Fredrika Bremer in The Firefly Letters, Gertrudis Gómez de Avellaneda in The Lightning Dreamer, Maria Merian in Summer Birds, and Millo Castro Zaldarriaga in Drum Dream Girl.

TC: Family is also a prevalent theme in your stories. There is separation and loss in many of them, yet love and friendship are present even when the characters disagree or are antagonists. Can you speak to that?

ME: I don’t do this consciously. It just emerges from the need for mutual understanding and forgiveness.

TC: From your writing I also detect a love of nature based on your lovely descriptive environmental prose. Setting is as prominent as the characters in many of your stories.

ME: Before I turned to full time creative writing, I studied agriculture and botany, and worked as an agronomy professor, an irrigation water conservation specialist, and a scientific writer. I have always loved nature, even though I grew up in the big city of Los Angeles.

TC: Tell us why you love dogs.

ME: When I married my husband, he had a dog that went to all his college classes with him. Now, 37 years later, he has a wilderness search-and-rescue dog trained to help find lost hikers in the Sierra Nevada Mountains. My role is hiding in the forest, so that various K-9 SAR teams can practice. Dogs are just part of my daily life.

TC: Do you have to travel much concerning your book(s)?

ME: I love to travel, and I especially love returning to Cuba, but I also went to Panama to research Silver People, and Borneo for Orangutanka.

TC: Why are so many of your novels are written in verse?

ME: I fell in love with the form, and especially with its suitability for historical fiction. I love the way free verse gives me room for a character’s thoughts and feelings, without requiring the clutter of every fact and figure known about a subject. Occasionally I’ll add a bit of rhyme, especially in a picture book for very young children.

TC: Your picture books also convey similar themes on a smaller scale.

ME: Drum Dream Girl and Summer Birds are about women who accomplished things only men were supposed to attempt. The Sky Painter is about Louis Fuertes, the bird artist who stopped the tradition of killing and posing birds. When You Wander is about search and rescue dogs, and how to avoid getting lost in the wilderness. Tiny Rabbit’s Big Wish is a Cuban folktale about being satisfied with what we have. Orangutanka is an introduction to a beautiful, intelligent, critically endangered species. In general, my picture books are either about people who dared to try something original, or about animals, and the things we can learn from them.

TC: When you were researching, did you discover anything interesting or cool that didn’t make it into any of your stories? Perhaps seeds for future stories?

ME: That’s an interesting question, because it really is easy to get sidetracked, and become fascinated with stories related to the one I’m researching. The Firefly Letters grew from research for The Poet Slave of Cuba, and The Sky Painter was an offshoot of research for Silver People. Many of the things that haven’t made it into a book yet really do survive as tiny seeds in the back of my mind.

TC: Here’s my burning question: You are the recipient of many prestigious awards for your stories and poetry—Is there a cost to literary fame? More responsibility? Or is it all good?

ME: It’s all good! Awards help me continue to get published.

TC: What books have most influenced your life most?

ME: Poetry from Cuba and Spain is the most influential, especially José Martí, Dulce María Loynaz, and Antonio Machado.

TC: If you had to choose, which writer would you consider a mentor?

ME: Tomás Rivera was my creative writing professor. He really was a mentor, simply by teaching me to write from the heart, without worrying about getting published. That comes later.

TC: Do you have a specific writing style and process?

ME: I’m a morning person. I write first drafts with a pen on paper, because I love the flow of ink. I try not to worry about corrections until a much later draft.

TC: What was the hardest part of writing your books?

ME: The hardest part is fear. Each time I start a manuscript, I have to find the courage to say what I want to say, without worrying about the approval of strangers.

TC: Do you have a favorite character from your books?

ME: My grandmother in The Wild Book.

TC: How long does it take to write a historical verse novel? How long does it take to write a picture book?

ME: A historical verse novel usually takes me around one year of research, and one year of scribbling, but The Poet Slave of Cuba took ten years of false starts in prose. A picture book can be written quickly, but then I have to wait for the editor to choose an illustrator, which can take months. Once the illustrator agrees to work on the book, it can take several years before the artwork is complete. Writers need patience. There are no shortcuts.

TC: Thank you, Margarita. And one final question: do you have any advice for Toasted Cheese writers?

ME: Listen to Tomás Rivera: Write from the heart. Don’t worry about getting published. That comes later.

Fiction is a Series of Choices: Interview with Seanan McGuire

Absolute BlankBy Erin Bellavia (Billiard)

Seanan McGuire (pronounced SHAWN-in) is a literary force to be reckoned with.

She is the author of the October Daye urban fantasies, the InCryptid urban fantasies, and several other works both stand-alone and in trilogies or duologies. The ninth October Daye book, A Red-Rose Chain, comes out next month. She also writes under the pseudonym “Mira Grant.” (For details on her work as Mira, check out MiraGrant.com.)

You’d think that would be enough to keep her busy, and you’d be right, if we were talking about an ordinary human. In her spare time, Seanan records CDs of her original filk music (see her Albums page for details). She is also a cartoonist, and draws an irregularly posted autobiographical web comic, “With Friends Like These…”. Somehow, she also manages to post to her blog, Tumblr, and Twitter regularly, watch a sickening amount of television, maintain her website, and go to pretty much any movie with the words “blood,” “night,” “terror” or “attack” in the title. Most people believe she doesn’t sleep. We think there might be some kind of demonic bargain going on.

Seanan was the winner of the 2010 John W. Campbell Award for Best New Writer, and her novel Feed (as Mira Grant) was named as one of Publishers Weekly’s Best Books of 2010. In 2013 she became the first person ever to appear five times on the same Hugo Ballot.

We talked to Seanan about gender, being a “social justice warrior,” navigating social media, and the soon-to-be released A Red-Rose Chain.

Background Photo: seananmcguire.com

Background Photo: seananmcguire.com

Toasted Cheese: You have a name that, to many, appears to be of ambiguous gender. On your Tumblr, you recently posted a link to this article, and responded to a reader’s question about it (here). Can you tell us a bit more about any gender bias you’ve dealt with (directly or indirectly) in terms of publishing/readership?

Seanan McGuire: For the most part, my readers are awesome, and they aren’t weighted one direction or another (so it’s not “only women read me” or “only men read me,” or anything like this). I think I receive a lot more rape threats than male authors. They seem genuinely stunned, when I talk to them about it, to discover that this is just how life is for me, and for most of the other female authors I know. I wish it would stop.

TC: You seem to endeavor to make sure your characters represent a variety of racial and gender identities. We (and many others) see this as a positive. This question comes in two parts:

  1. Is this something that comes naturally to you, or have you had to consciously work at it?
  2. Have you dealt with any pushback, either from publishers or fans, because of it?

SM: I honestly just want the characters I write about to reflect the diversity that I see in my friends and in the world around me. I also grew up white and cisgendered in America, so I do have to make an effort not to default to “white, cis, American.” That can be an effort. It’s worth it.

I’ve received a few inquiries to the effect of “why did character X have to be gay?” or “why did character Y have to be Indian?” I try not to be cranky about those. I do wonder if the people who ask me those questions go up to people on the street and ask “why did you have to be ______?” Fiction is a series of choices. Reality is a series of coincidences. If our choices are not as varied and diverse as those coincidences, we’re doing something wrong.

TC: You blog and tweet a lot about social justice issues (like racial and gender inequality, the representation of women in the media, etc.), and as we previously noted, these issues certainly enter into your work. Because of that, you and a number of other current science fiction and fantasy authors have been the target of complaints by other authors and fans claiming that these “social justice warrior” (SJW) issues are “ruining” SFF. What is your response/reaction to those complaints?

SM: I feel like a lot of those people have not read much science fiction, which has always been about “SJW issues.” Science fiction is about politics and society and pushing the envelope. Anyone who’s read Tiptree or Heinlein or Piper or King can see that. I think that there’s a tendency to paint the work of our childhood in rose tones, thinking it was always perfectly suited to us—I find it when I go back to watch old horror movies, and am just stunned by all the slut-shaming. I wonder if some of these people wouldn’t be equally stunned if they went back and read the authors they say they admire.

TC: We recently wrote an article about the negotiation of social media for writers… you weren’t able to participate at the time, but since you’re an author we always think of when we think of authors on social media, we’d like to ask for your response to a few of those questions! So… how has your relationship with the internet/social media changed since being published?

SM: I spend a lot less time reading web comics, and a lot more time trading Disney pins. Really, it hasn’t changed that much.

TC: How would you describe your relationship with your fans online?

SM: A lot of them are super-sweet, and so excited to talk to me. I do worry about hurting someone’s feelings without meaning to, since I’m a little odd sometimes, so I try to be ultra careful.

TC: What are three things you wish fans wouldn’t do when interacting with you online?

SM: Ask me questions about pub dates that I haven’t announced; ask me for spoilers; yell at me because a book is not available in their region. I am incredibly accessible and up-front. The flip side of this is that if I haven’t said something, I probably can’t, and I get really uncomfortable when pressured.

TC: Let’s talk about Toby! The Winter Long, Book 8 in the series, was kind of a game-changer. With A Red-Rose Chain coming next month, what should readers expect from Toby & Co. moving forward?

SM: A book annually, as long as DAW lets me. More seriously, I don’t do spoilers. They, too, make me super uncomfortable.

(At least four more books after A Red-Rose Chain are confirmed at this time. Be sure to check out the review in our next issue for more!)

TC: Many readers of this series enjoy the way you’ve built the faerie world Toby inhabits. We know that you studied folklore, but how much of Toby’s Faerie is your creation, as opposed to already-existing folklore?

SM: It’s sort of “chicken and the egg.” Most of Toby’s Faerie is based on folklore, but then spun, hard, in my own direction.

(You can find out more about Seanan and Toby’s version of Faerie on Seanan’s blog, where she answers reader questions about Toby’s world in the lead-up to the release of each book. You’ll see several posts at the link, but if you want to dig even deeper, check out the Toby Daye tag!)

TC: And let’s go out on a light note… we know you’re a big fan of lots of different kinds of media. Give our fans a recommendation of one of your favorite:

Books
All-time favorite: It by Stephen King.
Recent favorite: The Girl with All the Gifts by M.K. Carey.

Movies
Slither, written and directed by James Gunn.

TV shows
Most likely to re-watch: Leverage or The West Wing.

Musicians/Bands
I spent literally a decade following the Counting Crows around the West Coast. I am a fan forever.

Seanan’s Links:

Excerpts from My Commonplace Book: On Doubt, Fear, and Failure

Absolute BlankBy Theryn Fleming (Beaver)

I prefaced the first article in this series by saying “By far the most popular article I’ve written for Toasted Cheese is ‘Keeping a Commonplace Book’ (see Top Posts Today in the sidebar for evidence; it’s always there!).” and it’s still true. When I get a Pinterest notification, nine times out of ten, it’s someone liking or repinning that article. (The other 10% consists mainly of people liking something I pinned as a joke, ha.)

For this month’s article, I chose the theme of “doubt, fear, and failure” because I think all writers have experienced feeling like they have no idea what they’re doing, like everyone around them is more talented, like they’re writing and writing and writing and getting nowhere. If you’re feeling like an imposter, rest assured, you’re not alone. Every writer has been there at some point. Remember, everyone has their gameface on, and what they allow you to see does not reflect their own internal struggles.

Background Image: Andrew Hall (CC-by-nc-sa)

Background Image: Andrew Hall (CC-by-nc-sa)

When you start out on a career in the arts you have no idea what you are doing. This is great. People who know what they are doing know the rules, and know what is possible and impossible. You do not. And you should not. The rules on what is possible and impossible in the arts were made by people who had not tested the bounds of the possible by going beyond them. And you can. If you don’t know it’s impossible it’s easier to do. And because nobody’s done it before, they haven’t made up rules to stop anyone doing that again, yet.Neil Gaiman {+}

What’s your advice to new writers? Don’t give a shit. Don’t care. Books, until recently, were dangerous: banned, burned, watched. Write something dangerous. Say something you shouldn’t. Blow something up. But well.Shalom Auslander {+}

Anyway, do we really want consistency in an artist? What does this pressure to please the market have to do with art? Originality involves risk, and risk implies the possibility of failure. That’s how greatness is born.Robert McCrum {+}

Risk! Risk anything! Care no more for the opinions of others, for those voices. Do the hardest thing on earth for you. Act for yourself. Face the truth. —Katherine Mansfield {+}

I often need to remind myself that I need to hear failure out, because by failing at doing an easy thing, a groupthink thing, a thing one has been taught to do for one’s career, one might be encouraged to make or do or be something more original and true. Because failing as an artist is a necessary thing, a thing I wish I could more easily accept.Rebecca Brown {+}

I do worry a little that the modern age has taken the failure stage out of the creative process. Now if you can’t get your manuscript published, it’s because the publishers are cowards, can’t see your genius, and you can self-publish it (and then send out slightly crazed emails to critics). There is a lack of humility, a failure to recognize that getting knocked on your ass is actually good for you.Jessa Crispin {+}

I was talking to my graduate class a bit … about how career writers—career anything, I suppose—are always having to list their shiny accomplishments, and how it would be such a great relief sometime to write up your Anti-Vita and let people see it. It would be such a moment of candor, of behind-the-curtain truth. All the awards you didn’t get, all the amazing journals your work wasn’t good enough to be published in, all the prizes you were nominated for but—oops!—didn’t actually win. Sigh. All the teaching innovations, trotted out with such high hopes, that failed miserably. And so on. How you sat at home on the sofa and muttered, “What’s the point?,” embarrassing yourself and boring your family members, who tiptoed quietly away. Revealing all the failures would be such a relief, such an exhale, such an “I’m nobody, who are you?” opportunity. —Joy Castro {+}

It’s painful to write. It’s painful to take a clear look at your finances, at your health, at your relationships. At least it’s painful when you have no confidence that you can actually improve in those areas. I would not speak for anyone else, but most of my distractions … are traceable to a deep-seated fear that I may not ultimately prevail.Ta-Nehisi Coates {+}

I had hardly begun to read
I asked how can you ever be sure
that what you write is really
any good at all and he said you can’t

you can’t you can never be sure
you die without knowing
whether anything you wrote was any good
if you have to be sure don’t writeW. S. Merwin {+}

“I think the single most defining characteristic of a writer”—I found myself saying to a friend the other day, when she asked my thoughts on the teaching of writing—“I mean the difference between a writer and someone who ‘wants to be a writer,’ is a high tolerance for uncertainty.” … It’s hard to write well. But it may be even harder to simply keep writing; which, by the way, is the only way to write better.Sonya Chung {+}

[M]y internal life as a writer has been a constant battle with the small, whispering voice (well, sometimes it shouts) that tells me I can’t do it. This time, the voice taunts me, you will fall flat on your face. Every single piece of writing I have ever completed — whether a novel, a memoir, an essay, short story or review — has begun as a wrestling match between hopelessness and something else, some other quality that all writers, if they are to keep going, must possess.Dani Shapiro {+}

“[T]hat kind of self doubt and low self-esteem you’re describing is just part of the creative process.” This was a revelation to me—that those terrible feelings actually signaled that I was IN the creative process and not that I was failing at it.Michelle Huneven {+}

[I]n my view a writer is a writer not because she writes well and easily, because she has amazing talent, because everything she does is golden. In my view a writer is a writer because even when there is no hope, even when nothing you do shows any sign of promise, you keep writing anyway.Junot Díaz {+}

What many talented people lack is the ability to keep going when external rewards are minimal or non-existent. … Every writer gets rejected, sometimes over and over. But the ones who only have potential stop submitting (or just stop writing) somewhere along the way. They get discouraged and feel beat down. And then, before you know it, they’ve become someone who used to be a writer. Or someone who wanted to be a writer. —Chris Guillebeau {+}

[Writing a book is] very difficult. But so is losing 30 pounds or learning French or growing your own vegetables or training for a marathon … While it’s tempting to keep the idea of writing wrapped up in a glittery gauze of muse-directed creativity, it’s just another sort of work, one that requires dedication, commitment, time and the necessary tools.Mary McNamara {+}

I discovered that, by spending a long time on a short story, I could make it pretty good. But all around me, people were turning in truly terrific short stories and saying, “Oh, I wrote it the night before I turned it in.” There was so little talk of process back then, I really thought that I was the only writer there whose work went through an ugly stage. For years, I thought with deep shame that I was a fraud, up against the truly talented. It took me about twenty years to realize they were lying, and just armoring themselves for the criticism to come, and pretending not to be as invested in the work as they were. —Michelle Huneven {+}

“A novel is a work of a certain length that is somehow flawed,” a wise critic once said—and as I was told during the first few weeks of my MFA program. To write a novel, and see to it through from the first word to the 150,000th, you have to be willing to embrace the idea that every once in a while your prose is going to be, for lack of a better word, more prosaic than it would be otherwise. Why? Because to get a reader to make it through 150,000 words (the length of my last, and about the length of your average robust novel), you need this clunky, unattractive but very utilitarian thing called a plot. —Hector Tobar {+}

What’s in your head is seemingly infinitely richer than what you finally get down on the page. I think that’s why some people never actually get the writing done. They have a dream of a book in their head, and every attempt to write it down feels impoverished. The difference used to bother me until I thought about what the tradeoff was. The book in your head may be the platonically ideal book you could write, while the book you do write may seem a poor beast indeed, Caliban to your ideal book’s Prospero. But the book you write is real. And when you finish, you can hold it in your hands. —Richard Rhodes {+}

I worry about rejection, but not too much. The real fear isn’t rejection, but that there won’t be enough time in your life to write all the stories you have in you. So every time I put a new one in the mail, I know I’ve beaten death again. —Ray Bradbury {+}

“The peculiarity of being a writer,” [Joan] Didion says, “is that the entire enterprise involves the mortal humiliation of seeing one’s own words in print.” … Yet even worse than publication, she says, is the risk that something unfinished will be published.Adrienne LaFrance {+}

5 Tips for Perfecting Your Writing Contest Entry

Absolute BlankBy Stephanie Lenz (Baker)

How can I do better in contests?

  • Keep story pacing in mind
  • Use familiar characters or settings to save time
  • Go with the idea you feel passionate about

Toasted Cheese sponsors four contests each year, with deadlines at the change of the seasons. There are similarities and differences among the contests. Writers have entered the same contest for years, sometimes placing and sometimes not. Some writers enjoy the challenge of working within parameters or against a deadline. Some are trying to publish for the first time and some publish frequently.

For a lot of authors who try contests, it’s enough to finish and submit the entry. For others, winning (or placing) is everything. Placing in a contest can mean a publication credit, a prize, or a networking opportunity. So if you’re past the “it’s enough that I sent it” but you’re not placing in the contests you enter, here are a few tips based on entries we’ve judged over the years.

Background Image: 2day929/Flickr (CC-by-nc-sa)

Background Image: 2day929/Flickr (CC-by-nc-sa)

1. Follow the guidelines

Is the contest for a specific genre? Is there a theme? Is there a word count range or a maximum word count? Does the contest happen with regularity (every month, once a year, etc.)? Are the guidelines you’re reading for an old incarnation of the contest? When is the deadline? Is there a time of day (and time zone given) that entries must be sent by?

As you work on your story, you might find it breaking through the parameters (for example, it doesn’t want to resolve within the word count). Let your story flow naturally. No matter your time limits, there’s time to edit (even in a one-hour contest). Budget your time according to the way you work. If you like a lot of prep time and planning with a little writing but a lot of editing, you don’t need to divide your available time into thirds.

If your story gets far from the contest guidelines, set it aside and try something new if you want to continue to work on something for the contest. Use the story that expanded beyond the parameters for your next project. If you’re inspired, keep working on this piece and try a contest another time.

2. Stretch, don’t break; push, don’t puncture

Judges are looking for entries that take risks, not liberties, with the guidelines. Stretch them and think in different ways but don’t stretch the guidelines so far that the judges will have difficulty seeing how you used the themes. If you feel bold, push your own limits as well as the limits of the contest. Write whatever you’re inspired to write. If it goes outside the boundaries of the contest, you can either edit it to fit or use it for a regular submission.

Keep in mind that the clever twist on the theme that you thought of in the shower is exactly the same twist that someone else has been working on since the contest was announced. It’s not enough to throw in the tweak. You have to write the best possible version of it. Don’t rest on the fact that you came up with the great idea. Someone else did too and you have to have the better entry.

3. Write fresh

Never, never blow the dust off an old story and submit it, even if it meets all the parameters. Judges always know and they don’t appreciate it. Usually entries like these are the first to come in and they reek of stale writing. If you already have a piece you think is perfect (and it’s never been published; we check that too), rewrite it. Change some character names. Change the setting. Start the story two paragraphs later. Flesh it out or trim it. Add new technology, if relevant. Add a new obstacle. Change the ending. There’s always something you can do to make your story fresh and new.

4. Edit the entire work

We see a fair number of contest entries that fall apart in the middle or the end but we very rarely see it in regular submissions. We have two theories about why this happens. One is “kissing the word count.” Writers see that the word count limit is approaching and they feel pressured to wrap it up. The other theory is that writers edit their entries more fervently at the beginning and less so in the middle and at the end. It could be that the writer is tired. It could be that that’s where the story really takes off and it’s pleasing the writer so much that she gets caught up as a reader (which isn’t a bad thing) and forgets to edit.

Our advice is to make sure you edit the entire work. Do you have as many notes at the beginning as you do at the end? Why? Is it because you stopped editing your story? Did the story really take off about 1000 words in and you didn’t have much to change? In that case, do you need to chop about half of the opening?

5. Stay true to your voice

When writing for a specific purpose or audience, it can be easy for a writer to lose his voice. He might emulate previous winners, use different language than usual, or try too hard to impress. It may be accidental or it may not. There’s no simple trick to retaining your voice. Just be aware of it. When you reread your finished story, does it sound like your other work? Could your ideal reader pick it out of a lineup?

Organize Your Story Online

Absolute BlankBy Stephanie Lenz (Baker)

This time last year, I was writing a story for Wicked Women Writers, a horror fiction contest sponsored by Horror Addicts. In addition to time parameters, which translate to word count and the need to record my story for the podcast, I had to make use of elements that were assigned to me: setting, a beast (from the Chinese zodiac), a blessing, and a curse. I was lucky enough to have a story set in New Orleans, complete with a voodoo potion and a gris-gris bag, during Mardi Gras. I wasn’t so sure about the goat.

ab_15-05_pinterest

I began working through ideas without writing much. In a paper notebook, I jotted ideas for the plot but nothing was coming together except for character sketches. I made a playlist of old Southern spirituals, live Dixieland performances, and early blues recordings and played it while I learned more about voodoo and studied maps of the French Quarter. I spoke to friends who’d lived in New Orleans; the only time I’ve spent in Louisiana was a childhood visit to family in Baton Rouge.

As I browsed online, I was inspired by Chagall paintings that featured goats, the architecture of New Orleans (including the tombs in St. Louis cemetery #1 and Metairie Cemetery), and stories of the community following Hurricane Katrina. I bookmarked the links I found but many of my inspirations were just images so I hit upon the idea of creating a private Pinterest board for what I’d found so far. The board helped me organize, picture my setting, and narrow my many ideas into a workable story. After the story came up for voting, I made the Pinterest board public and included a link to it.

Stephanie’s “The Gray Girl” Pinboard

Creating a Pinterest board as a modern “idea book” worked so well for me that I’ve done it again and am currently gathering ideas for a new project. If you’re a visual person, if you like to organize online, or if you get a story idea on the go and you’d like to have an app for that, you might like to create boards like these.

What’s all this Pinterest stuff?

I think of Pinterest as a big corkboard. Some people think of it like a scrapbook or notebook. Early adopters used Pinterest to gather and save recipes, knitting patterns, or ideas for weddings. It’s basically a visual blog that lets you link to content via images. Whereas platforms like Tumblr allow you to use text only, you must use images or videos on Pinterest. If the page you want to pin to doesn’t have an image, you can add an image of your choosing and then link it as you choose.

Creating pins is simple. If there’s an image or video on a page, you can almost always pin it (even gifs). You can create your own images and upload them to your board. Don’t be surprised to see your own created image come back to you (mine did).

If you want to pin a page and there’s no image, you can upload any image and put the URL of the page you want to pin into the link box (use your computer to do this instead of the Pinterest app).

How can I use it?

There are a lot of ways, none being right or wrong. Your board(s) may be public or private, maintained by individuals or groups. You can have one board or many (sub-boards aren’t yet available).

The question becomes: “What do I pin?” Here are some basic ideas for writing-specific boards, which could be used generally or for a specific project:

  •         Story (plot ideas, research)
  •         Character (inspiring images, clothing, traits)
  •         Setting (architecture, landscapes, rooms)
  •         Theme
  •         How-to graphics (plotting, character creation)
  •         Prompts (these are one of the most prolific types of pin)
  •         Favorite books and journals
  •         Writing advice
  •         Exercises
  •         Worksheets
  •         Generators (character names, traits, prompts)
  •         Articles
  •         Challenges
  •         Quotations & sayings (writing. books, character, jokes)

Does this look familiar? It should if you have a “writing” folder among your bookmarks. Clearing out your bookmarks is a great way to get started using Pinterest as your central writing resource.

Stephanie’s Writing Pinboard

I’m not into Pinterest but I read this far

You can use other apps in the same way, taking advantage of their particular features. Tumblr might be less visual (depending on the template you use) but if you like searching your own collection via tags or recycling and repurposing ideas from other users, it might be more to your taste. Whereas Pinterest limits you to 500 characters on a pin, Tumblr will let you write and post an entire story (without the need for images). You’re not going to find explicit adult content at Pinterest. Meanwhile it’s plentiful at Tumblr, which can be useful if you’re writing erotica or using other adult inspiration for your story. Tumblr has settings that can keep adult content off your dashboard if you choose.

I keep Evernote on my devices because I never know when I’ll overhear a conversation I want to save or a name I want to use. It’s replaced the old memo pad I carried since high school, as well as the “I’ll jot this on my arm” method of notetaking.

I like Pinterest because I’m visual and I like having everything on a single page with small images that catch my eye differently every time I visit said page. Someone else might have an established system for story creation but needs help with organizing writing time.

Give me some options other than Pinterest

Other platforms you can use to create your online idea book include:

  • Tumblr, WordPress, Blogger, and other traditional blogging applications
  • Evernote and OneNote (these are similar programs. Like Pinterest, Evernote clips online content and works best as an app. OneNote is better on PC and is an organizational junkie’s dream)
  • Instapaper (syncs across devices; use with friends)
  • Thoughtboxes (think Post-Its in folders)
  • Licorize (you can transfer your Delicious links; has an “add” button for browsers)
  • Bundlr (has a paid “ad-free” version)

Check these out and see which works for your purposes. When browsing apps like these, think of how, when, and where you’ll use them. Many are listed as “productivity” apps, designed for balancing work and personal life. As a creative person, you’ll discover new ways to use them to organize not just your writing life but also your writing projects.