Sex and Setting

A Pen In Each Hand

By Baker

  1. Set a story or poem in the town you’re in right now.
  2. Set a story or a poem in a real place you’ve spent a week or less visiting.
  3. Vanessa Blakeslee said that she doesn’t do a lot of backstory or biography for characters in her short fiction. Start writing the story of a character named Lee who is riding public transportation or driving a car. You know nothing about Lee. Just write and see where you both go.
  4. In a few days, go back to Lee and fill in any necessary biographical information you created while working. How does it change your story, if at all?
  5. Vanessa said that the absence of love and sex in fiction is “as noticeable as an elephant in the room.” Go back to a stalled or abandoned story or poem and add a previous or current sexual relationship or encounter to the action. How does it change the story? How does it change your characters? As an extra challenge, push your scene or backstory out of your character’s (or your) personal comfort level.
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